Rise and Fall/Dayna Kurtz nominated for 5 Best of the Beat/Offbeat awards in 2016 – including Songwriter of the Year.
Over the past decade, the New Jersey born, now New Orleans (and seasonal Vermont) resident vocalist/writer/musician/producer has been bestowed with many awards and praises, including being named the Female Songwriter of the Year by the National Academy of Songwriters. Norah Jones and Bonnie Raitt have raved about her in interviews, and she’s performed on such high-profile radio shows as World Cafe, Mountain Stage and NPR’s Morning Edition and Tell Me More. She’s toured and opened for the likes of Elvis Costello, Richard Thompson, Mavis Staples, Rufus Wainwright, B.B. King, Dr. John, Richie Havens, Keren Ann, Chris Whitley, and the Blind Boys of Alabama.
Dayna’s new disc (Here, Vol. 1 due March 2017), is a live record with career spanning tracks, culled from her 2016 Dutch theater tour with guitarist Robert Mache. It manages to capture the heart-stopping edge-of-your-seat mesmerized silence that Dayna Kurtz seems to magic from her audiences. “I began my career as background music in crowded beach bars,” explains Kurtz, “and I used to make a game of seeing what it would take to shut people up. I got good at it. Although there’s some tricks to it, it was really more a kind of witchcraft than anything – I learned to draw whatever power and attention there was in the room being sent my way and sent it back out again. Other people got caught in the loop and started paying attention too. And as long as the crowd wasn’t shitfaced or distracted by a TV I could usually get them. It was good training, even now that my audiences are more inclined to listening already anyway. I write music that requires some attention.”
On her work and friendship with Robert Mache (Continental Drifters, Steve Wynn) Kurtz says, “I’ve loved Robert’s playing for such a long time, and we’ve been friends longer than we’ve been touring partners – he was one of the first musicians to befriend me in New Orleans. That we had such undeniable chemistry has been one of the greater recent gifts of my life, and I just wanted to document it somehow, and quite a few people in my life including my label have suggested a live record. I’d been hesitant, only because there’s only a few live records I listen to with the devotion I’d give a beloved studio record. It’s notoriously really difficult to capture the feeling of being there in the dark experiencing it. Then the challenge of it intrigued me.”
“When Kurtz sings, one of two things typically happens. Either she lets out a deep, husky croon that seems to bubble up from her toes, or she unleashes a full-throttle roar that’s more inviting than imposing…There’s no logical reason why Dayna Kurtz is not a full blown star.” – James Reed, Boston Globe
“Dayna Kurtz’s diverse vocals feel both old and new, recalling Nina Simone of yesteryear…hypnotically haunting” – New York Post
COVID-19 Guidelines: In order to offer our patrons the safest and most enjoyable experience possible, social distance policies will be in effect through the 2021 season. All guests must wear their masks when out of their seats. In order to be served alcohol, guests will be required to purchase food from the food truck on premises. No food or drink from outside the venue is allowed. Food/ drink will open before the show in staggered intervals depending on patron’s ticket type, please arrive at the time indicated below.
(All outdoor events are rain or shine; no refunds)
$25 – Table Seating: Tables and chairs socially distanced 6-feet from surrounding tables. Guests are offered table service and may order from our full bar menu once they’ve ordered from food truck.
$18 – The Foundry Green (General Admission): Sit socially distanced out on our lawn. Guests sitting on the green are welcome to bring their own chairs and/or blankets and may order canned beer and wine after they’ve ordered from food truck.
Seating/ Bar/ Food Truck Open: 5PM for Table Seating – 6PM for The Foundry Green (General Admission).